The player also has to deal with specific timing push the TNT over too early, and the monster will destroy the TNT without taking damage, but push it too late and Mion will get caught in the explosion, killing her. In order to defeat this boss, Mion must push TNT towards the creature, close enough so that when the boss executes a certain attack, it will bite into the TNT and take damage. Take, for example, the boss of Chapter 2. With the player struggling with the controls and Mion's slow pace, these rather tame levels become overly difficult, and the multiple resulting deaths are a result not of an actual challenge being presented, but of a failure to catch the split second timing needed to execute whatever is needed to survive. Even though the solutions are easy to puzzle out, the controls hold the completion back in a frustrating and inconsistent manner. Many of the obstacles Mion has to work through are honestly very difficult. The title's difficulty feels artificial, rather than something that is supposed to present a legitimate challenge, and it feels as though the game's level design backs this up. This combination of strict timing with unresponsive controls leads to 'The Firefly Diary' being, as a whole, a very difficult and oftentimes frustrating experience. Additionally, the transition to the shadow world, for whatever reason, takes a second to get through, which when the player is trying to line up shadows perfectly, can lead to disastrous results. Mion herself moves at a deliberately slow, plodding pace, and using Lumen to control her movements can sometimes result in inaccuracies, requiring more time at the least and oftentimes, Mion's death. The problem is, the gameplay itself does not feel built for the requirements for such exact timing.
Relatively early on, 'The Firefly Diary' starts to require pretty strict timing in order to work out the game's various puzzles and other predicaments little Mion is placed in. Ultimately, there are issues with the controls beyond just the actual input method. There is also the option to use the analog sticks and d-pad instead, which alleviates some of the control issues, but not all. This control scheme feels as though it should be the better of the two schemes however, it can be rather clunky to control the fireflies accurately with the touch-screens, which becomes a problem later on in the game. The first, which is the default method, is to use the front touch-screen of the Vita to control Lumen, while using the back touchpad to switch to the shadow world to use Umbra. However, Umbra can only move within the confines of the shadows itself, so manipulating Lumen's light to distort the shadows becomes an important gameplay element.Īs for controls, there are one of two settings to choose from. By switching to the shadow world, Umbra can manipulate the scenery around Mion to help clear a path to safety in ways that Lumen cannot. Lumen is controlled by the player, and Mion will follow Lumen, providing the main form of movement within the game.Īdditionally, there is a second creature: Umbra, a firefly that exists within Mion's shadow. Shortly after waking up, she meets Lumen, a glowing fairy-type creature. The star of 'The Firefly Diary' is a little girl named Mion, who awakens in a ruin. Unfortunately, the answer to that question is "not very well", but I am getting ahead of myself.
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